National Poetry Month: April 1-3, 2014

images   Russell’s poetry is dark, smart and infused with just the right amount of humor. Here is more about the collection: Eternal Patrol: Russell Dillon: 9780988228733: Books And here is my reading of “Eternal Patrol: Robert Vaughan reads Russell Dillon’s “Eternal Patrol” – YouTube Yesterday, April 2nd, I also read the title poem from Laura Kasischke’s “Space, In Chains,” which is a phenomenal poetry collection and won the National Book Critics Circle Award: books   “Kasischke’s intelligence is most apparent in her syntactic control and pace, the way she gauges just when to make free verse speed up, or stop short, or slow down.”—The New York Times Book Review Here is my reading of “Space, in Chains:” Robert Vaughan reads “Space, In Chains,” from Laura Kasischke – YouTube What will I read today? More importantly, what will YOU read today? A subway poem? A billboard poem? Maybe it’s a conversation you have with a friend about poetry? I chatted on Facebook with Brian Alan Ellis the other day about Kenneth Patchen (among many other poets). Imagine how different our world would be if we spoke more about poetry than guns? If we read infinitely more poems than listen to stories that contain violence?


Tagged- My Writing Process

Gay Degani 2 This is Gay reading at the HEAT reading, AWP/ Seattle (and a mini-me in the doorway!) For more information about how Gay keeps herself busy, and about her NEW NOVEL, the suspenseful What Came Before, check out Words in Place. And now, the questions: 1) What am I working on? My first full length collection, Addicts & Basements (Civil Coping Mechanismsofficially launched at the AWP Conference in Seattle, February, 2014: Addicts & Basements: Robert Vaughan: 9781937865238 I’m currently working on a full length story collection, Departures Or Arrivals. I also co-host a quarterly reading series called Middle Coast Poets: Middle Coast Poets Reading Series. We have our next reading on April 28 at the Riverwest Public House in Milwaukee, and the  current poets are Brittany Cavallero, Larry O. Dean, John Walser, Lee Ann Roripaugh, Paul Scot August and me. I will be teaching a workshop, Publishing Your First (or Next) Collection « Red Oak Writing for their Saturday workshop series. And I’m teaching a week long workshop, Mixing Genres, at The Clearing in Door County, Wisconsin: The Clearing Folk School::Classes I’m conducting Interviews for the new site, ENTROPY! 2) How does my work differ from others of its genre? I work as hard as I can to find the core of a poem or a prose piece. I hope that my work is the combination of heart and soul and fragments that make up a human being’s struggles to be alive, and possibly tumbling toward some other realm. I love words, and language, and for the most part, people. I’m unsure if it differs, yet I know I am the only me. So in that, somehow, there lies the answer. 3) Why do I write what I do? I suppose I am trying to make sense of the world, and of life itself. Through other people, characters and their voices, senses, I get to experience the world around me repeatedly. I can do things I might never attempt, and take on new experiences through them. I’ve also sensed, from a young age, that if I did not write, I might not still be here. I like to attempt the genres that scare me the most. And I write for more than me, too. For my Mom and Dad, for James and Mel, for all of those no longer here on planet Earth. 4) How does my writing process work? I’m not really sure, it morphs over time and depending upon each project. I try to stay as organized as I possibly can. Not an easy task! I used to submit a ton of writing, so that took more notebooks and jotting down submission data, keeping track of acceptances and rejections, especially those encouraging ones. I write best early in the day, just after coffee, before other items creep up, before social media is checked and instant messages and tweets are responded to. I also believe in my writing roundtable for solid feedback and work with two other writers in an online prompt writing weekly group. I am tagging Michael Gillan Maxwell and Bud Smith: Michael Maxwell (Michael Gillan Maxwell) is a Freelance Visual Artist, Writer, and Teacher. His work is award winning and heavily published and he is an all-around kickass fellow: Bud Smith (Bud Smith) is the author of Tollbooth, Or Something Like That, and his just released full length poetry collection, Everything Neon. He also is the host of The Unknown Show:  ]]>

"The Bagpipe Refrain" to be included in Literary Orphans Anthology

Literary Orphans Anthology. This must have been a very onerous and difficult process to select exactly what might be included: Best of Literary Orphans, Year One Anthology [SELECTIONS] “The Bagpipe Refrain” originally appeared in the Marilyn issue: The Bagpipe Refrain by Robert Vaughan. I also had a poem, “Aretha,” in the Wordsworth issue: Aretha by Robert Vaughan. And in the same issue, John Riley reviewed Microtones, my first chapbook: A Review of Robert Vaughan’s Microtones by John Riley. Editor-in-chief of Literary Orphans, Mike Joyce, has been a friend and a writer with whom I have exchanged many great writerly ideas over the past year (or two) since Literary Orphans took shape and blossomed into the distinctive literary magazine of such high quality it currently is. I look forward to this first anthology and to many more of our wonderful, friendly exchanges. Congratulations, Mike, Scott Waldyn, Doriana Lareau and all of the other staff! So thrilled, and proud of you all. Both of these pieces, “The Bagpipe Refrain” and “Aretha” are included in my upcoming book, Addicts & Basements from Civil Coping Mechanisms, coming February 1, 2014: Addicts & Basements by Robert Vaughan | Civil Coping Mechanisms.]]>

Pieces from Addicts & Basements at Atticus Review

The Fun We Had, Messes of Men and Laughter of Strangers; also Left Hand by Paul Curran; Winterswim by Ryan Bradley; Black Cloud by Juliet Escoria; Walls- an excerpt by Andrew Duncan Worthington; excerpts from Addicts & Basements by yours truly; excerpts from Green Light by Kyle Muntz; and an excerpt from We Will Listen For You by Nick Ripatrazone: Short Fiction | Atticus Review The pieces Michael selected of mine are here: Addicts: An Excerpt All are forthcoming in Addicts & Basements, on February 1, listed here, each with a footnote: Gauze, A Medical Dressing, A Scrim (won 2nd place in the Flash Fiction Chronicles Contest, 2013) Flip of a Coin (the original was drafted within days of learning I was traveling to India in 2006) Most Popular Baby Names of 2013 (prompted by the great list pieces published at McSweeny’s) The Femur (workshopped at Esalen Institute, Writing & Knowing workshop, summer 2013) Six Glimpses of the Uncouth (an ekphrastic piece, prompted by six paintings by Andre Schmucki) I hope you enjoy these! And thanks, Michael, and Atticus Review, for this great opportunity!  ]]>

Book List 2013 and the cold

The Human Line– Ellen Bass (poetry) Something Has to Happen Next– Andrew Michael Roberts (poetry) Space, In Chains– Laura Kasichke (poetry) A Thousand Morons– Quinn Monzo Somewhere Piano– Sarah Busse (poetry) The Bill From My Father– Bernard Cooper (memoir) Debacle Debacle– Matt Hart (poetry) Racing Hummingbirds– Jeanann Verlee (poetry) Pomegranate and Other Stories– Gay Degani Why Be Happy When You Could Be Normal?– Jeanette Winterson (memoir) Moods By Rachel Glaser Shampoo Horns– Aaron Teal House of Incest– Anais Nin Laure: The Collected Writings– trans. by Jeanine Herman Winter Stars– Larry Levis (poetry) When the Only Light is Fire– Saeed Jones (poetry) Smoking Mirrors– edited by Meg Tuite, Connotation Press Fast Forward: A Collection of Flash Fiction 2012– edited by Leah Rogin-Roper leadbelly– Tyehimba Jess (poetry) A Secondary Landscape– Aaron Gilbreath the great enigma– Tomas Transtromer (poetry) Letters From Robots– Diana Salier (poetry) Blue Rust– Joe Millar (poetry) Machine Dreams– Jayne Anne Phillips Life on Mars– Tracy K. Smith (poetry) But Our Princess is in Another Castle– BJ Best A Little Soul: 140 Twitterstories– Darren Cormier What the Right Hand Knows– Tom Healy (poetry) Native Guard– Natasha Trethewey (poetry) He Do the Gay Man in Different Voices– Stephen S. Mills (poetry) You Are Jaguar– David Tomaloff and Ryan Bradley (poetry) Every Love Story is a Ghost Story– D.T. Max (memoir) The Buoyancy of It All– Robert Walker (poetry) Heroines– Kate Zembrano (memoir/essay) Triste– Lisa Marie Basile (poetry) Adirondack Camps– Craig Gilmore The Art of Porosity– Andrew Franck Aaron & Keoni– Loren Moreno (flash fiction) Henry Darger Art and Selected Writings– edited by Michael Bonesteel (memoir) Man Vs. Sky– Corey Zeller (poetry) The Dream Police– Dennis Cooper (poetry) A Taste of Cherry– Kara Condito (poetry) Badlands– Thomas Biel Verses– Ani DeFranco (poetry) Slut Lullabies– Gina Frangello Train Dreams– Denis Johnson Glaciers– Alexis M. Smith A Fast Life: The Collected Poems of Tim Dlugos edited by David Trinidad (poetry) Men Undressed– anthology edited by Cris Mazza the & now awards: the best innovative writing– ed. by Davis Schneiderman The Collected Poems of Frank O’Hara- edited by Donald Allen (poetry) Black Aperture– Matt Rasumssen (poetry) Rough Music– Deborah Digges (poetry) One Hidden Stuff– Barbara Ras (poetry) Zin!– Kyle Hemmings (poetry chapbook) Waging Heavy Peace– Neil Young (memoir) A Marker to Measure Drift– Alexander Maksik A Walk in the Woods– Bill Bryson (memoir) Pleasure Trout– Gloria Mindock (poetry) Antidotes For An Alibi– Amy King (poetry) Milk Run– Kate Braverman (poetry) My 1980s and Other Essays– Wayne Koestenbaum (essays) The Last Car Over the Sagamore Bridge– Peter Orton (short stories) We Agreed to Meet Just Here– Scott Blackwood Time-Bound– Kurt Brown (poetry) Bound by Blue– Meg Tuite (short stories) First Time– anthology, edited by Bud Smith By Myself– D.A. Powell & David Trinidad (faux memoir) The Buoyancy of it All– Robert Walker (poetry) Eternal Patrol– Russell Dillon (poetry) The Peerless Four– Victoria Patterson (novel) In the Carnival of Breathing– Lisa Fay Coultey (poetry) Her Skin Is a Costume– Meg Tuite (chapbook) Cinema Verite– Sam Rasnake (poetry) Alone With Other People– Gabby Bess Inheritance– Steven Reigns (poetry) Dead Letters- Joani Reese (poetry) American Busboy– Matthew Guenette (poetry) The Whack-Job Girls and Other Stories– Bonnie Zobell (flash fiction) Morrissey- Autobiography- Stephen Andrew Morrissey The Book of Women– Dorianne Laux (poetry) The Anchorage– Mark Wonderlich (poetry) The Laughter of Strangers– Michael Seidlinger Box Cutter– Samuel Snoek-Brown (flash fiction) Had I A Hundred Mouths– William Goyen (short stories) Were there any outstanding books you read in 2013? Any prior to last year? Do you share your favorite books with friends? Are you a member of Goodreads, where anyone can share the books you’ve read, rate them, or write a review? Here is my Goodreads | Robert Vaughan page.  Also, thanks to Molly Gaudry and the great peeps at The Lit Pub, for the listing of Diptychs + Triptychs + Lipsticks + Dipshits: The Lit Pub • Home. My publisher, Deadly Chaps Press, and Joseph Quintela, sent out his 2013 year-in-review newsletter, and included this excerpt:  “Deadly Chaps Press made one release in our continuing chapbook series but it was a doozy: the remarkable Diptychs + Triptychs + Lipsticks, + Dipshits by Robert Vaughan. He’s already getting rave reviews and has been listed at LitPub. Get your copy now, or as always, you can give it a read online for free! We look forward to upcoming releases by Niela Mezynski and Mark James Andrews in 2014.”  Diptychs + Triptychs + Lipsticks + Dipshits          ]]>

Recap: My recent trip to New York City

RABBITHOLE | 33 Washington Street, Brooklyn, NY 11201 The next day, Friday, I met Michael Dickes and Cherise Wolas, two friends I originally met through Fictionaut. Michael edits this amazing journal, which as you can tell from the name, combines multiple methods of conveying artistic expression:Awkword Paper Cut – Poetry Videos – Writing – Podcasts – Music Michael and I taped some of my poems, including “What Some Boys Do,” which is included in his November Podcast: Awkword Paper Cut – Podcasts – Poetry, Music, Short Stories, Comedy. My track, #7 is at approximately 15:30 minutes, but listen to the entire show- it’s fantastic! Thanks, Michael, for this poem’s debut. On Friday evening, I got together with none other than Jamez Chang, and we rapped about everything under the sun, including music, poetry, writing, travel, and more. His latest tune, 15 years, is here: ▶ 15 Years – Jamez Chang – YouTube. Go, Jamez, go! More tracks forthcoming!!! On Saturday, I met my pal David, and we ate some shizzle dizzle Indian at our favorite Mitali East. He was off to see Mildred Fierce starring the inimitable Varla Jean Merman. Unfortunately I was too spent to attend: Mildred Fierce On Sunday (did I mention the weather? Nuts it was sooo warm!) I had a chance to see my pal Joseph Quintela, mad cad about town and we met in the very busy Washington Square Park, and wandered over to Bar 6 on 6th Avenue where we shared some wine and beer. (No, that is not us in the photograph). I told Joseph I used to live around the corner on 14th Street, at the Courtney House: </p><br /><br />
<p> I went back to my hotel, changed, put my reading list together for the event that evening: The Sunday Salon! When I arrived outside of Jimmy’s I noticed the sign on the outside with our names! photo 1.JPGphoto 2.JPGJimmy's No. 43 I was really excited. I saw Sara Lippmann, such a sweetheart, and met Nita Noveno and Emily who were also hosts. My pals David Carter and Michael Thompson showed up for support, and I was so grateful they did. Here are the bios of the writers’ who were reading. (Unfortunately, Meg Tuite was not able to make it): NYC | October 20, 2013 | Prose Reading Series & Magazine Photo: Thank you to these four wonderfully talented writers for a beautiful, bountiful evening of readings at Sunday Salon. Hats off to fantastic host Sara! Pics & vids to follow soon. Photo Here are videos of all of us reading from that evening: Video | Prose Reading Series & Magazine It was an amazing event, life-altering and dream fulfilling. Afterwards, Michael, David and I went to Bennie’s Burritos on Avenue A. I felt like it was 1987, and after our meal, we could cross directly through Thompson Square Park, and hit Life Cafe for desserts. Oh how I miss New York City, but as trite and true as it sounds: there really is no place like home! Thanks Kate, Elizabeth, Tina, Michael, Cherise, Jamez, Joseph, David, Michael, Sara, Nita, Emily, Jenny, Celine, Nina (and whoever I forgot to thank) for a memorable trip! I will return! P.S. Mellow Page Library in Brooklyn is now carrying Microtones! Go visit these guys at 56 Bogart Street, 1S in Brooklyn!!! Contact them at    ]]>

HUMP Day reflect

Rough Music by Deborah Digges, a poet we discussed on Tuesday morning at Esalen. I can still hear Dorianne Laux’s mesmerizing reading of Deborah’s poem, “Broom,” which opens this astounding collection. And the haunting story of the poet’s life, and tragic death. And so, at the top spot in this week’s HUMP day posts, comes from a fellow poet and workshop participant, Jeanie, who sent me the link to another great article about Deborah Digges. Enjoy! HUMP DAY reflect Written about one of the poets, Digges, whose poem “Broom,” we studied at Esalen last week (thanks for the link, Jeanie!): Sara Lippmann’s “TK” is up at Wigleaf: Alex Dimitrov, NYC poet and host of Wilde’s Queer Poetry Series, has “American Nothing” at The Baffler: At Ampersand Review, Timothy Gager’s “What the Boy Prays For”: At Fictionaut, Michelle Elvy with “The Wall: A Love Story, Of Sorts”: New work by Tantra Bensko and Matthew Dexter up at Counterexample Poetics, with artwork by Erie Chang: Up at Poem-A-Day from Academy of American Poets, Jennifer Militello with her “Conspiracy to Commit Larceny: A Recipe”:–Conspiracy-to-Commit-Larceny–A-Recipe-by-Jennifer-Militello.html?soid=1110705357409&aid=rVclQaXo9XI Stephen Dunn’s poetry at Connotation Press: In this issue of Sunday Salon, take in some great work from master writers: At Gawker, a Man with OCD Blows Internet Away with this spoken word poem: When you think you have all the answers, ask more questions. They all begin with self-inquiry. Talk a walk in nature. Listen to the breeze. Or the bees. Or just be.  ]]>

National Poetry Month: April 28th

But Our Princess Is In Another Castle, scintillating prose poems. Today, for National Poetry Month, I read “Double Dragon:” Robert Vaughan reads “Double Dragon” by B.J. Best – YouTube We Know What We Are This is a must read! I highly recommend this book, and I just finished it yesterday, for the second time. When was the last time you lost yourself in another world, a game, a different kingdom?  ]]>

National Poetry Month: April 26

House of Incest (which, in the first printing was self-published. How she, in 1932, was WAY ahead of her time!) If you have not read this, do so now: Robert Vaughan reads Anais Nin’s prologue from House of Incest – YouTube Is there a book or a poem, or a passage from something that you carry through every move, through every transition? Do you love something in writing so much that you can’t find the words to describe how?]]>