For National Poetry Month, today I read Roger Reeves “Tortoise Moves Toward The Sea” from King Me (Copper Canyon Press):
Today for National Poetry Month, I read Rebecca Schiff’s “Keep an Eye on It” from The Bed Moved (Vintage):
Today for National Poetry Month, I read James Nippon’s “Butterfly”:
Today for National Poetry Month, I read “One Touch” by Marcus Jackson, from his collection Pardon My Touch (TriQuarterly Books):
Today for National Poetry Month, I read “Clouds, Begin Here” by Susan Rich from her collection Cloud Pharmacy (White Pine Press).
Today for National Poetry Month, I read Bill Soldan’s “Always that Child” from his stunning new collection, So Fast, So Close (Close to the Bone Publishing) Enjoy!
Hi friends! We wrapped our third 2021 Bending Genres weekend workshop with Freesia McKee on March 19- 21. Her course, “Crustacean Adaptation: Writing Hermit Crab Forms” was so much fun! Many of the writers wrote abstract and unusual pieces. What I love so much about these weekends is the freedom to take off, try new ideas and forms, and this weekend did not disappoint. Thanks, Freesia and participants. Also Meg for producing, and Corey for the IT support. Next, in April, we welcome Wendy Oleson back. She will be teaching “Big Characters.” More information here:
Meg Tuite and I have made our deposits for our two week long Bending Genres 2021 Retreats. Our dates are August 24- 30 at Synergia Ranch, in Santa Fe: and September 11- 17 at Cedar Valley in Wisconsin. We have already approached the writers who were all set for our 2020 retreats before the pandemic hit. We had to cancel both last year. Our hopes are that with vaccinations picking up speed, and Meg already received hers; I have my first shot on Monday, March 29. These spots are going to go quickly. There is more information on our website:
Our next issue of Bending Genres Journal, March/ April will be forthcoming on April 6. It’s going to be fantastic!
Been reading a lot of good books lately: David Tromblay’s As You Were; Nicholas Jennings Lightfoot; Jess Bruder’s Nomadland, and William Walsh’s forty-five american boys. What are you reading? Would you recommend it?
Two weeks ago, from Wednesday, March 3 through Sunday, March 7, my company, Bending Genres was a sponsor of an event called @SMOLfair. It was complete great fortune that I came across this event online, in lieu of not attending my first AWP in ten years. Six writers got together (I knew 1/2 of them) and decided to host an alternative to AWP, even though both were to be held virtually. I reached out to Jason Teal, EIC of Heavy Feather Review on TW: “Is there still time to get Bending Genres involved?” Jason said, “SURE! Here is what you need to do,” and he put me in contact with Jesi Bender, EIC of whiskeytitbooks. She got immediately back to me, and Bending Genres was added to the virtual BookFair! Then, through several conversations with Meg, and Adam and many others on our team, we created a flyer:
And decided to host our very first Bending Genres reading, Friday, March 5 at 9:00 pm EST.
Dominique Christina was our featured reader. She transformed the entire zoom room of all 60 of us!!! DC read three fearless, gut-wrenching poems.
And Sara Lippmann pinch-hit well beyond the park, reading “Neighbors,” from her upcoming collection, JERKS.
Three fantastic bending poems were shared by Despy Boutris.
We also had four OPEN MIKE readers and all were exceptional: Kona Morris, Ben Woodard, David Byron Queen, and Rogan Kelly. OH WHAT A NIGHT!!!
In addition, we gave away Bending Genres merch: John Steines won a BG mug! Victoria Buitron won our BG journal, pen and bookmark! Yunya Yang won our BG Anthology! Brittany Terwilliger won our Ron Kibble tee! Jason Teal won our BG Logo tee! And our GRAND PRIZE was the winner gets to select his/her free Bending Genres weekend workshop. Amy Q. Scott took that prize.
I want to thank Meg Tuite for co-hosting, and helping to envision and make this event happen. Also, to the readers and guests who made that Friday reading so spectacular! And to SMOLfair for providing the backdrop and support.
Two more things: Bending Genres found out recently that Leah Christianson has been nominated for a Pushcart Prize for her “Strawberry Jackknife” which we published in Nov/Dec 2020, Issue 18: https://bendinggenres.com/strawberry-jackknife/ Huge Congratulations, Leah! We are rooting for you.
And on a personal note, on March 1, I sent my latest manuscript to a publisher. Fingers and toes crossed. It’s a good month. Hope yours has been the same.
It’s middle of May, the trees are leafing, the grass is greener than a dollar bill, the birds are nesting, and gobbling up seeds, insects, suet and whatever else moves. We had a turkey strutting through our yard yesterday, and the occasional deer saunters through the edges of our back yard. Life goes on, and on.
At Bending Genres we have our next online weekend workshop with Tyler Barton, May 22- 24. He’ll be teaching “Artifact Lit,” and the workshop is full, so it ought to be terrific.
I will return to the helm on June 19- 21, with “Stop Making Sense,” and here is the course description and registration page: https://bendinggenres.com/our-online-workshops/
On our Bending Genres blog, Haley Papa reviewed My Autobiography of Carson McCullers
Also, Jonathan Cardew returns with his My Fave Five column for May, asking poet Alina Stefanescu for her favorite reads from April: https://bendinggenres.com/2020/05/15/my-fave-five-with-alina-stefanescu/
Meg Tuite is in charge of our Bending Genres Online Roundtable for May- August, 2020. She has nine writers signed up, and they did their first group ZOOM today: https://bendinggenres.com/bg-store/
And look at all of that new Bending Genres merchandise, mugs, journals/ notebooks, pens, bookmarks. And our first Bending Genres Anthology- Best of our first two years!
Have a terrific time today. Be safe, take care, love yourself.
The end of April is always a sad occurrence for me, because National Poetry Month closes. This doesn’t mean poetry can’t be read throughout the year, of course. But the focus on poetry, and poems, especially given the current state of our world, has been such a boon. Here is how I wrapped up the last three days of my National Poetry Month readings:
On April 28th, I read Nick Flynn’s “Emptying Town” from Some Ether (Graywolf Press):
On April 29th, I read Mary Ruefle’s “Little Golf Pencil” from My Private Property (Wave Books):
On April 30th, I read Joy Harjo’s “Remember” from Academy of American Poets:
And at Bending Genres, we wrapped up our “Found in the Forest” weekend workshop led by Wendy Oleson. So many incredible, innovative pieces were developed, and the support was off the charts. Join us on May 22- 24 when Tyler Barton will teach his “Artifact Lit” weekend workshop: https://bendinggenres.com/product/tyler-barton-artifact-lit-may-22-24/
Also, our fiction editor, Meg Tuite, kicked off a new project called Bending Genres Productions. She selected a poem by Colin Pope from his stunning book, Why I Didn’t Go To Your Funeral. Meg chose “Still Life with Casket in the Distance,” and with a cast of 15 or so writers, a videographer Brian Mihok, they captured this haunting, evocative experience: https://bendinggenres.com/2020/04/30/colin-pope-video/
Get outside. Be safe. Take care of yourself and of each other. Life is precious.