For National Poetry Month I read Adam Clay’s “If I Could Write Small Enough, These Words would Fit on the Back of a Postcard” from To Make Room For The Sea (Milkweed Editions):
Today for National Poetry Month, I read Maggie Nelson’s “Tell Me” from something bright, then holes (Soft Skull Press):
For National Poetry Month, today I read Roger Reeves “Tortoise Moves Toward The Sea” from King Me (Copper Canyon Press):
Today for National Poetry Month, I read “One Touch” by Marcus Jackson, from his collection Pardon My Touch (TriQuarterly Books):
Hi friends! It’s always a good day, deep into Winter, to mention my first publication of 2021. I have two short hybrid pieces up at No Contact Magazine, issue 17: https://www.nocontactmag.com/issue-seventeen. I’m so grateful to editors, Guaraa & Elliott.
I also want to link back to a piece I had published last September, “Illusions,” at Pioneertown Lit: https://www.pioneertownlit.com/robert-vaughan. Thanks for this, EIC Brenna Kischuk.
Next week, my experimental piece, “This Long Day,” will be published at Daily Drunk Magazine.
I’m grateful for several things of late, but to be back in the submission game is truly among the top. It’s great to be writing again, also. Working on my first all poetry collection. More on that to come.
In case you missed it, Bending Genres Issue 19 is live: www.bendinggenres.com.
Also, the wondrous Sara Lippmann is teaching our February Bending Genres weekend workshop, and it’s full. In March, we host Freesia McKee, and in April we welcome Wendy Oleson who taught her “Found in the Forest” in April 2020. More information here: https://bendinggenres.com/writing-groups/
Take care. Stay safe. Be well. See you on the webs.
It’s middle of May, the trees are leafing, the grass is greener than a dollar bill, the birds are nesting, and gobbling up seeds, insects, suet and whatever else moves. We had a turkey strutting through our yard yesterday, and the occasional deer saunters through the edges of our back yard. Life goes on, and on.
At Bending Genres we have our next online weekend workshop with Tyler Barton, May 22- 24. He’ll be teaching “Artifact Lit,” and the workshop is full, so it ought to be terrific.
I will return to the helm on June 19- 21, with “Stop Making Sense,” and here is the course description and registration page: https://bendinggenres.com/our-online-workshops/
On our Bending Genres blog, Haley Papa reviewed My Autobiography of Carson McCullers
Also, Jonathan Cardew returns with his My Fave Five column for May, asking poet Alina Stefanescu for her favorite reads from April: https://bendinggenres.com/2020/05/15/my-fave-five-with-alina-stefanescu/
Meg Tuite is in charge of our Bending Genres Online Roundtable for May- August, 2020. She has nine writers signed up, and they did their first group ZOOM today: https://bendinggenres.com/bg-store/
And look at all of that new Bending Genres merchandise, mugs, journals/ notebooks, pens, bookmarks. And our first Bending Genres Anthology- Best of our first two years!
Have a terrific time today. Be safe, take care, love yourself.
The end of April is always a sad occurrence for me, because National Poetry Month closes. This doesn’t mean poetry can’t be read throughout the year, of course. But the focus on poetry, and poems, especially given the current state of our world, has been such a boon. Here is how I wrapped up the last three days of my National Poetry Month readings:
On April 28th, I read Nick Flynn’s “Emptying Town” from Some Ether (Graywolf Press):
On April 29th, I read Mary Ruefle’s “Little Golf Pencil” from My Private Property (Wave Books):
On April 30th, I read Joy Harjo’s “Remember” from Academy of American Poets:
And at Bending Genres, we wrapped up our “Found in the Forest” weekend workshop led by Wendy Oleson. So many incredible, innovative pieces were developed, and the support was off the charts. Join us on May 22- 24 when Tyler Barton will teach his “Artifact Lit” weekend workshop: https://bendinggenres.com/product/tyler-barton-artifact-lit-may-22-24/
Also, our fiction editor, Meg Tuite, kicked off a new project called Bending Genres Productions. She selected a poem by Colin Pope from his stunning book, Why I Didn’t Go To Your Funeral. Meg chose “Still Life with Casket in the Distance,” and with a cast of 15 or so writers, a videographer Brian Mihok, they captured this haunting, evocative experience: https://bendinggenres.com/2020/04/30/colin-pope-video/
Get outside. Be safe. Take care of yourself and of each other. Life is precious.
I love April! The gentle unassuming rain, buds forming on surrounding trees, birds arriving from their Southern climes. And poetry, yes… poems! It’s National Poetry Month, so daily I have selected a new poem, and read it aloud on my YouTube channel. Here is a recap of the last few days:
On April 23rd, I read Sara Comito’s “Pristine Creatures” from Bury Me In The Sky (Nixes Mate): https://www.youtube.com/watch?v=ubGY1db5om8
On April 24th, I read Matthew Olzmann’s “To the One at the Bottom of Loch Ness” from Mezzanines: https://www.youtube.com/watch?v=KvY48o7da28
On April 25th, I read Ellen Bass’s “The Long Recovery” from Indigo (Copper Canyon Press): https://www.youtube.com/watch?v=zVy2FpsH-ww&t=4s
On April 26th, I read Mark Doty’s “Hungry Ghost” from Deep Lane (W. W. Norton): https://www.youtube.com/watch?v=-2gVdIoPXxk&t=28s
On April 27th, I read Marie Howe’s “Low Tide, Late August” from Magdalene (W. W. Norton): https://www.youtube.com/watch?v=QUaJvqv1YZ8&t=28s
I’ll post the links to my last three National Poetry Month selections in a day or two. Thanks everyone, who has let me know what these poems/ readings have meant to you. I hope you are all taking good care of yourselves and loved ones.
The world recently lost a remarkable man, and honorable friend, my pal Robby Browne. We met in the early 1990s and became good friends. And although I eventually left New York, any time I visited Robby eagerly invited me to social engagements. He was one of the most social and well loved friends that I was fortunate to know. R.I.P. sweet, brilliant Robby.
Anyone who is interested in learning more about Robby, his friend Jeff Dupre made a monumental video dedicated to Robby’s life and legacy: https://www.robbybrowne.com.
And at Bending Genres, we have launched our “Bending Genres Presents” reading series, in which Authors read their selected pieces from our new Bending Genres Anthology, and Tara Campbell reads her poem, “The Fish.”
One of the many reasons I adore April is because it’s National Poetry Month. And for the third time, I am reading a poem a day. This time, my caveat is I have to own the book in which the poem I choose daily is published, and also, that I have read, or re-read the poem within the past twelve months.
Here are the poems I’ve read since last Monday, April 6th:
4/6/20: I read Ocean Vuong’s “Untitled (Blue, Green and Brown): oil on canvas; Mark Rothko: 1952” from Night Sky with Exit Wounds (Copper Canyon Press): https://www.youtube.com/watch?v=JFkWKFz_XMk&t=4s
4/7/20: I read Jules Archer’s “How to Love a Monster with Average-Sized Hands” from Little Feasts (Thirty West): https://www.youtube.com/watch?v=ZhAzftRDM60&t=11s
4/8/20: I read Nico Amador’s “Self- Portrait with Cropped Hair (after Frida Kahlo) from Flower Wars (Newfound Press): https://www.youtube.com/watch?v=6sESlflVKSs
4/9/20: I read Hala Alyan’s “Ordinary Scripture” from The Twenty- Ninth Year (Mariner Books): https://www.youtube.com/watch?v=md856nWuDms&t=3s
4/10/20: I read Joe Wenderoth’s “First Impression” from It Is If I Speak (Wesleyan University Press): https://www.youtube.com/watch?v=NTii-0_C29k&t=7s
4/11/20: I read Kim Addonizio’s “The Work” from what is this thing called love (W.W. Norton): https://www.youtube.com/watch?v=u3ZaenvwU80&t=2s
4/12/20: I read Patrick Johnson’s “Transubstantiation (AWOL)” from Gatekeeper (Milkweed Editions): https://www.youtube.com/watch?v=kWCkqyJfcTA&t=11s
4/13/20: I read Mary A. Koncel’s “When the Babies Are Missing Again” from you can tell the horse anything (Tupelo Press): https://www.youtube.com/watch?v=ugAL6b7wq7w&t=4s
Thanks for watching! And thanks for all of the wondrous poetry that you are all writing. Stay safe and take care of each other.
Happy National Poetry Month! This year, to coincide with hunkering down at home, I decided to revamp my poem a day project on YouTube. I did this previously in 2013 and 2014. Every day, I select a poem with one self-imposed guideline… this year, I have read, or re-read each poem within the past twelve months. And so, each week, I will re-cap the poet, poem, book and link to my reading on Youtube.
On April 1st, I kicked off National Poetry Month with poet Molly Brodak, and her poem “Going Back to Sleep,” from her chapbook a little middle of the night (University of Iowa Press): https://www.youtube.com/watch?v=Kq2uHJRXz44.
On April 2nd, I read Charles Jensen’s “H. Himbo” from Nanopedia (Tinderbox Editions): https://www.youtube.com/watch?v=55lgxUqLhwg.
On April 3rd, I read Katie Schmid’s “The Boys of Midwest 5” from her Split Lip chapbook, forget me hit let me drink great quantities of clear, evil liquor: https://www.youtube.com/watch?v=e0GbGrF0gqI.
On April 4th, I read Luke Johnson’s “Liner Notes to Benjamin” from :boys (Blue Horse Press): https://www.youtube.com/watch?v=yYNNiB0KVjw.
On April 5th, I read Alina Stefanescu’s “But How Did He Look When You Told Him?” from stories to read aloud to your fetus (Finishing Line Press): https://www.youtube.com/watch?v=ouMY5hhjGbE
Join me tomorrow when I will be kicking off an entirely new week with all new outstanding poets, poems of intrigue, hue and glow, and the alluring sounds, smells and tastes of a new dawn.