For National Poetry Month, today I read Roger Reeves “Tortoise Moves Toward The Sea” from King Me (Copper Canyon Press):
Today for National Poetry Month, I read Rebecca Schiff’s “Keep an Eye on It” from The Bed Moved (Vintage):
Today for National Poetry Month, I read James Nippon’s “Butterfly”:
Today for National Poetry Month, I read “Clouds, Begin Here” by Susan Rich from her collection Cloud Pharmacy (White Pine Press).
Today for National Poetry Month, I read Bill Soldan’s “Always that Child” from his stunning new collection, So Fast, So Close (Close to the Bone Publishing) Enjoy!
It’s hard to believe we launched our 15th issue of Bending Genres yesterday! With over 35 pieces, hybrid in style: poetry, flash fiction and creative non-fiction. This is a superb issue and I have to thank our excellent, devoted editors: Jonathan Cardew, Emily Bertholf, Corey Holzman, Connie Malloy, Sara Comito, Davon Loeb, Samuel Fox, Len Kuntz, David O’ Connor, and Meg Tuite. Also huge thanks to KJ for the upload, and to Adam Robinson for that and so much more. We are a fortunate team, indeed.
Also, when our Wisconsin BG Retreat location, Cedar Valley, had to close until September 4th, this left us without a location. Within ten days, we secured French Country Inn in Lake Geneva, Wisconsin. Same dates as originally planned: August 16- 22. A perfect time to create, to generate new work and ideas, to be with like-minded writers and artists.
Our second BG retreat at Synergia, on the high desert outside of Santa Fe, will be September 1- 7. Meg Tuite and I plan to practice all of the safety aspects: distancing, working 6 feet apart, even our meals will be practiced with safety in mind. I can’t tell you what a difference it makes to have these plans. Especially now. There are only a couple of spots open. Join us, and if you have any questions, just email Meg or me. Or both:
I will be leading the June 19- 21 Bending Genres online weekend workshop, “Stop Making Sense.” More information is here: https://bendinggenres.com/product/robert-vaughan-stop-making-sense-writing-the-absurd-meaningless-whimsical-and-silly-june-19-21/
This is a great time to say thanks, to everyone who has made me a better person. To all of my friends and family. To anyone who thinks change is still possible. You are important. Your life has meaning.
The end of April is always a sad occurrence for me, because National Poetry Month closes. This doesn’t mean poetry can’t be read throughout the year, of course. But the focus on poetry, and poems, especially given the current state of our world, has been such a boon. Here is how I wrapped up the last three days of my National Poetry Month readings:
On April 28th, I read Nick Flynn’s “Emptying Town” from Some Ether (Graywolf Press):
On April 29th, I read Mary Ruefle’s “Little Golf Pencil” from My Private Property (Wave Books):
On April 30th, I read Joy Harjo’s “Remember” from Academy of American Poets:
And at Bending Genres, we wrapped up our “Found in the Forest” weekend workshop led by Wendy Oleson. So many incredible, innovative pieces were developed, and the support was off the charts. Join us on May 22- 24 when Tyler Barton will teach his “Artifact Lit” weekend workshop: https://bendinggenres.com/product/tyler-barton-artifact-lit-may-22-24/
Also, our fiction editor, Meg Tuite, kicked off a new project called Bending Genres Productions. She selected a poem by Colin Pope from his stunning book, Why I Didn’t Go To Your Funeral. Meg chose “Still Life with Casket in the Distance,” and with a cast of 15 or so writers, a videographer Brian Mihok, they captured this haunting, evocative experience: https://bendinggenres.com/2020/04/30/colin-pope-video/
Get outside. Be safe. Take care of yourself and of each other. Life is precious.
I love April! The gentle unassuming rain, buds forming on surrounding trees, birds arriving from their Southern climes. And poetry, yes… poems! It’s National Poetry Month, so daily I have selected a new poem, and read it aloud on my YouTube channel. Here is a recap of the last few days:
On April 23rd, I read Sara Comito’s “Pristine Creatures” from Bury Me In The Sky (Nixes Mate): https://www.youtube.com/watch?v=ubGY1db5om8
On April 24th, I read Matthew Olzmann’s “To the One at the Bottom of Loch Ness” from Mezzanines: https://www.youtube.com/watch?v=KvY48o7da28
On April 25th, I read Ellen Bass’s “The Long Recovery” from Indigo (Copper Canyon Press): https://www.youtube.com/watch?v=zVy2FpsH-ww&t=4s
On April 26th, I read Mark Doty’s “Hungry Ghost” from Deep Lane (W. W. Norton): https://www.youtube.com/watch?v=-2gVdIoPXxk&t=28s
On April 27th, I read Marie Howe’s “Low Tide, Late August” from Magdalene (W. W. Norton): https://www.youtube.com/watch?v=QUaJvqv1YZ8&t=28s
I’ll post the links to my last three National Poetry Month selections in a day or two. Thanks everyone, who has let me know what these poems/ readings have meant to you. I hope you are all taking good care of yourselves and loved ones.
The world recently lost a remarkable man, and honorable friend, my pal Robby Browne. We met in the early 1990s and became good friends. And although I eventually left New York, any time I visited Robby eagerly invited me to social engagements. He was one of the most social and well loved friends that I was fortunate to know. R.I.P. sweet, brilliant Robby.
Anyone who is interested in learning more about Robby, his friend Jeff Dupre made a monumental video dedicated to Robby’s life and legacy: https://www.robbybrowne.com.
And at Bending Genres, we have launched our “Bending Genres Presents” reading series, in which Authors read their selected pieces from our new Bending Genres Anthology, and Tara Campbell reads her poem, “The Fish.”
I’ve been reading a poem a day for April’s National Poetry Month! My caveat this third time around has been that I have to own the physical book so I can “show it,” and select a signature poem each morning. Here is the recap since my last blog:
April 14th, I read Justin Marks from The Comedown (Publishing Genius): https://www.youtube.com/watch?v=KG4eBQW9HxI
April 15th, I read Kelli Agodon’s “Sketchbook with an Undercurrent of Grief” from Hourglass Museum: https://www.youtube.com/watch?v=7pvLBdzTW3w&t=8s
April 16th, I read Rogan Kelly’s “Withers Street, Next to the Greif Trucking Company” from Demolition in the Tropics: https://www.youtube.com/watch?v=2DYVY-7rXJY
April 17th, I read Katherine Seluja’s “The Psychiatrist Said” from Gather the Night: https://www.youtube.com/watch?v=JppUE3mTYu8&t=8s
April 18th, I read Philip F. Clark’s “Learning” from The Carnival of Affection: https://www.youtube.com/watch?v=piwHuL9CPVs&t=3s
April 19th, I read Ruth Awad’s “Lessons in Grief” from Set to Music a Wildfire: https://www.youtube.com/watch?v=1EfSJ0Vu2lc
April 20th, I read Adam Clay’s “Immortality for Mary Ruefle” from To Make Room For The Sea: https://www.youtube.com/watch?v=jWyItu22nPQ&t=4s
April 21st, I read Dorianne Laux’s “The Shipfitter’s Wife” from Smoke: https://www.youtube.com/watch?v=djj1nhLvUY0&t=28s
April 22nd, I read Kaveh Akbar’s “Fubu” from Calling A Wolf A Wolf: https://www.youtube.com/watch?v=7DrgSGWpiJM
On the Bending Genres website, we have several new projects, including a new column curated by MicroViews editor, Jonathan Cardew called “My Fave Five.” His first contributor, Jude Higgins, adds her selections: https://bendinggenres.com/2020/04/16/my-fave-five/
Also, we will be rolling out some of our Bending Genres Anthology contributors, like Jayne Martin, who kicks off our new reading series “Bending Genres Presents”: https://bendinggenres.com/2020/04/21/bending-genres-presents-jayne-martin/
We have our next Bending Genres Weekend Workshop, Found in the Forest, with stunning writer/ teacher Wendy Oleson, April 24- 26: https://bendinggenres.com/our-online-workshops/
Thanks BG staff: Meg, Len, David, Samuel, Davon, Sara, Corey, Connie, Emily, Jonathan, Adam, and KJ. You rock my world.
And finally, please hold the ones you love even more dearly. We lost a dear college friend this week, and the world appears slightly upside down. Be bold, let those you love know how important they are to you. Stay safe, and healthy.
One of the many reasons I adore April is because it’s National Poetry Month. And for the third time, I am reading a poem a day. This time, my caveat is I have to own the book in which the poem I choose daily is published, and also, that I have read, or re-read the poem within the past twelve months.
Here are the poems I’ve read since last Monday, April 6th:
4/6/20: I read Ocean Vuong’s “Untitled (Blue, Green and Brown): oil on canvas; Mark Rothko: 1952” from Night Sky with Exit Wounds (Copper Canyon Press): https://www.youtube.com/watch?v=JFkWKFz_XMk&t=4s
4/7/20: I read Jules Archer’s “How to Love a Monster with Average-Sized Hands” from Little Feasts (Thirty West): https://www.youtube.com/watch?v=ZhAzftRDM60&t=11s
4/8/20: I read Nico Amador’s “Self- Portrait with Cropped Hair (after Frida Kahlo) from Flower Wars (Newfound Press): https://www.youtube.com/watch?v=6sESlflVKSs
4/9/20: I read Hala Alyan’s “Ordinary Scripture” from The Twenty- Ninth Year (Mariner Books): https://www.youtube.com/watch?v=md856nWuDms&t=3s
4/10/20: I read Joe Wenderoth’s “First Impression” from It Is If I Speak (Wesleyan University Press): https://www.youtube.com/watch?v=NTii-0_C29k&t=7s
4/11/20: I read Kim Addonizio’s “The Work” from what is this thing called love (W.W. Norton): https://www.youtube.com/watch?v=u3ZaenvwU80&t=2s
4/12/20: I read Patrick Johnson’s “Transubstantiation (AWOL)” from Gatekeeper (Milkweed Editions): https://www.youtube.com/watch?v=kWCkqyJfcTA&t=11s
4/13/20: I read Mary A. Koncel’s “When the Babies Are Missing Again” from you can tell the horse anything (Tupelo Press): https://www.youtube.com/watch?v=ugAL6b7wq7w&t=4s
Thanks for watching! And thanks for all of the wondrous poetry that you are all writing. Stay safe and take care of each other.