Oh Omega, What a Week

A Celebration of Poetry with Billy Collins, Mark Doty, Marie Howe, and Patricia Smith And here are a few things I learned, of the multitude of information, inspiration, and hope I consistently feel about this experience: Monday morning began with a room re-set. Marie Howe, who was our den mother, our morning star, our assimilator, and watchdog. Marie guided us, ever so wisely and gently to consider the negative, contradiction and surprises in poems. We also spoke about rapture, and read D. H. Lawrence’s “Song of a Man Who Has Come Through,” and John Berger, Rilke’s “Archaic Torso of Apollo,” and “A Green Crab’s Shell” by Mark Doty. Tuesday arrived, rainy and dark. Patricia Smith was late, driving up from New York City in the rain, so Marie read several of her amazing poems, including The Boy, The Gate, After the Movie, Practicing and Sixth Grade. I was stunned, riveted, still am! Patricia Smith – Wordwoman – Teacher, Poet, Writer, Performer extra-ordinaire, was a persona, writer to behold. She read a poem about her son, and another about her mother called “An All Purpose Product,” and a baking poem, memorized, about her father (I’ll never forget), and she spoke of writing as “process,” while she guided us, first in writing a limerick, and then through an exercise called PUSHING THROUGH THE WALL…this was one of the most terrifying, and difficult I have ever taken on in writing. They say poetry is about that which we cannot speak in words. Truly. Tuesday afternoon, Marie led us through a non-dominant hand exercise, and a new way of accessing our work. That evening, I devoured her collection, What the Living Do, as thunder crashed outdoors. Her presence in the poems is, like the storm, electrically infused. Mark Doty, one of my mentors, arrived Wednesday as the foul weather broke. His blue eyes acknowledged newness of work, as he read from a forthcoming collection, “Deep Lane.” He also read some poems from Fire to Fire like his “Theory of Marriage,” which I love. He spoke of the “Foray into the Unsayable!” Then encouraged us to create a list of word associations, and from this, craft a present tense poem, then when we’d completed a draft, to change the point of view in the poem (from first person to third, for example). Mark believes that poets quit too soon. Urged us to continue to walk around our material. We read a poem by Lynda Hull called “Shore Leave” that was an amazing example of musicality and diction, as well as polarities in writing. Lynda Hull On Thursday morning, we had the honor of being lead by billy collins, poet celeb and gentle soul. We read Ruth L. Schwartz’s “Swan at Edgewater Park,” (a great poem about two topics simultaneously) and Michael Donaghy’s “The Break,” (a poem in which the author takes a simile and goes inside it). We spoke about the beginnings of poems and their importance to a reader, and also poems that have, in Billy’s words, a “visible game.” (an example, Robert Frost’s “The Woods”). We read poems by Richard Jones, Bukowski and George Bilgere. Billy says “The Flea” by John Donne was the first poem he was jealous of and wanted us to consider what poems made us jealous that we were not the ones who crafted them. We spoke about how poetry has to orient us first, then disorient- transport, as well as transform. Billy lead us through a stimulation exercise, in which we all created our own lists of “Twenty things I did yesterday” in random order. From my list: I swam in Long Pond Lake (my blog header photo), skipped lunch, wanted to touch your face, had a conversation with Mark about breaking decorum in the Omega Cafe. On Thursday afternoon, Marie Howe helped us all create a list of Political writers, as this topic had prefaced in questions. We spoke about how “political” has multiple meanings. Some of the writers mentioned were: Adrian Rich, Sharon Olds, Elizabeth Bishop, Lucille Clifton, Grace Paley, Martin Espade, CD Wright, Gary Snyder, Jack Hirschman, Ken Prufer, Carolyn Forche, Brenda Hillman, and Kamiko Hahn, and Eve Ensler. We then chose a thread of a story/image that we personally carry in our heart. Throw one and then one more ball into the story: juggling! Let myself become enchanted!!! The last exercise of the day was 5 line stanzas in which we did the same thing in small groups of four. Then we passed our notebooks and the person on our right continued the story. This was an exercise I was familiar with, having done something similar with our summer kids writing camps. Thursday evening was a poetry reading in which James Navé, fellow writer and traveller, hosted. Allotted 4 minutes, I managed to fit in Bed, Cucumber and Miniature Golf (Blue Lotus Review), Cowboys & Indians at Clutching at Straws, and amphibi.us » Shades of Gray. Friday morning arrived and everyone was exhausted! Marie read her latest poem, “Magdalene and the Seven Devils,” published in July/Aug American Poetry Review. We spoke of negation in poetry, it’s not this! We cannot know this…let the NOT be a pivot! We spoke of the investigative role, there are not any answers, no corrections, no erasing. The going is the poem, looking for the poem is the poem. We spoke about Rilke’s “The Annunciation” (from The Unknown Rilke, trans. by Franz Wright, one of Marie’s most important books). We spoke of the notion of delay, in poetry. We read Alan Dugan’s “Closing Time at the 2nd Avenue Deli.” (The last poem in his last book). About it’s refusal to be romantic, and the gorgeous syntax. The use of repetition in ‘Shall I? no! Shall I? No!’ “This” opens and closes the poem. We read W.S. Merwin’s “For The Anniversary of My Death.” Also Tony Hoagland’s “Disappointment.” and Jack Gilberg’s “Falling and Flying.” Our last writing exercise, Marie suggested we begin a 14 line poem with I don’t know, It isn’t just that, Everyone forgets, or Shall I say this? No!  We then got into groups of four, and read them aloud to one another. In the words of the illustrious Marie Howe: “Creativity is when I don’t know what I’m doing!” Here is the work I’ve published since my last blog: The Message from Ruben | The Whistling Fire 50 to 1: The Wife by Robert Vaughan “Bacon and Eggs, 1977” by Robert Vaughan → Fictionaut Midwestern Gothic – A Literary Journal » Blog Archive » Contributor Spotlight: Robert Vaughan HOUSEFIRE | Robert Vaughan | HOUSEFIRE WUWM: Lake Effect – Flash Fiction Friday: Strangers with local author Mary Jo Thome and national author, Susan Tepper’s piece, “Tool.” Temporary | | The Brooklyner Web and Literary You can also hear me read this story at their amazing site…thanks for listening! Gratitude again, master teachers and poets: Howe, Smith, Doty and Collins. Oh what a lucky man I am. Marie HowePatricia SmithMark DotyBilly Collins]]>

24 thoughts on “Oh Omega, What a Week”

  1. Sounds like you had an incredible experience at Omega, Robert, and thanks for sharing so much of it here! They were lucky to have you there.

  2. I am sure the world is a better place with the Poetry Celebration happening at Omega Institute. I love that place and have attended many a workshop there. It never disappoints. Love Mark Doty too, just so you know!

  3. I loved this post, Robert! You shared so much from the workshop and makes it so evident why it is so challenging to craft the poem that dazzles. And I am jealous of YOUR work. You seem to come at it so effortlessly and I know that is not the case. Congratulations! This experience at Omega sounds incredible.

  4. What a week it sounds like you had. Congratulations, Robert on your latest publications. I can’t wait until your collection comes out! Any publishers reading this blog ought to pounce!

  5. Wow! Great blog Robert – I’m so glad I thought to look…I have subscribed as well. What an inspiring week…I’m still flying from it. It rocked my universe enough for me to inject new life into an old site – michaelgillanmaxwell.com I posted several pieces either written AT Omega (including the one I read last week) and several new pieces that have come flowing out as a result of the blissful jolt that was last week. I’m looking forward to exploring your blog and hope we stay in touch! Keep creating. Michael

  6. I saw Patricia Smith at a poetry slam in New York back in the 90s, and she was amazing. How fortunate that you were able to be in the presence of some of the finest poetry writers today. Great for your work, and you were already a great writer! I saw on your Facebook page that you had a story in the Housefire anthology. Congratulations! I will have to get a copy of that.

  7. The conference at Omega sounds great, Robert! Way to go, keep it up and you’ll be famous (not that you aren’t already there!) You’ll be asked to lead your own conferences at places like Omega, if you should desire.

  8. Dear Robert,
    What a beautifully detailed description of our week. So good to be reminded of that work as I get ready to finally leave magical Omega. I’m looking forward to reading more of your wonderful poems! Thank you so much for sharing this & I’m happy to follow your blog. With Love & Gratitude, Stef

  9. What a great week and such a wise poetic post this is! I can’t wait to see more of your blogs. Thanks!

  10. Such a detailed and wonderful description of your week at Omega. I can appreciate that as I have been a participant in many yoga offerings over the years. It is a truly magical place and it sounds as if you had a great experience. Congratulations! I can’t wait to see what poems you crafted, and will continue to, from the workshop and beyond.

  11. You have recaptured the essence of your week with such magic, it’s as if I was almost at Omega. Thanks for this, and congratulations on all of your latest successes. You deserve the very best.

  12. I ended up being absolutely fulfilled that my son could do his investigations through your writing ideas he obtained through your blog. And we also understand how vital your writing is to you. The specific explanations you have made, the straightforward blog navigation, the relationships you will help to instill – it is most fantastic! Thank you for the whole lot!

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  14. Hello! This is my first visit to your blog! What a great post, and I can’t wait to read more of your work. You have done an extraordinary job!

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