Bending Genres update

We recently launched our July/ August issue of Bending Genres Journal: issue 10! It is our most full issue since we began publishing BG in January, 2018. We have 18 flash pieces, 10 poets (some with more than one poem included) and 6 CNF pieces. A total of 36 all together. And we also reached another high: we had 1,788 hits (reads) on Tuesday, the day we published, and another 1,100 hits yesterday. This is incredible, and I’m so grateful to every person who read, shared, or posted about our new issue. Also, so happy to have the best editorial and IT team assembled: Meg Tuite, David O’ Connor, Jonathan Cardew, Jessica Mehta, Samuel Fox, Davon Loeb, Corey Holzman, Adam Robinson, and KJ. To read our latest issue: https://www.bendinggenres.com.

Our next Bending Genres weekend workshop is August 23-25 with Nancy Stohlman. She is leading a workshop in Absurdity, and says “let’s get weird!” Only five more spots left, don’t wait to register for this stimulating and terrific course! https://bendinggenres.com/monthly-workshops/.

Also, Meg Tuite and I have scored a new location for our very first MIDWEST RETREAT in 2020! This is very exciting! So, in addition to returning to Synergia Ranch on May 10-16, we’ll also be at Cedar Valley in West Bend, Wisconsin on August 16- 22. We will have the Wisconsin webpage up and working very soon! http://retreat.bendinggenres.com. Also, will share some photos from Synergia and Cedar Valley in my next post.

A dear friend of mine is finally free today. Congratulations! It’s been quite a year. Janis Joplin said, “Freedom’s just another word for nothing left to lose.” Are you free? Truly? Do we ever really know?

I'm Back!

We have some more exciting workshops to check out in our Bending Genres monthly weekend workshops, including Nancy Stohlman on August 23- 25; Robert Russell on September 20-22, and Steven Dunn on October 18-20. More information is available here:

https://bendinggenres.com/monthly-workshops/.

And on July 21-27, we will be back at Mabel Dodge Luhan House for our second Bending Genres retreat. There is more information about that here: http://retreat.bendinggenres.com. We’ve added our very first MIDWEST RETREAT for August 16- 22, 2020. More details are forthcoming! Needless to say, we are so excited.

And we will have our July/ August issue of Bending Genres available at the beginning of August. Some terrific writers are submitting, and we are still taking more fiction, poetry and CNF. Send us your best! www.bendinggenres.com

I hope your summer is rocking your world. Wasn’t it so great to see our Women’s Soccer USA team win the World Cup? Terrific for young girls and boys everywhere. For everyone, really.  ]]>

Oh! What a WEEK

ISSUE 8, published on Tuesday, April 9. Filled with amazing, diverse flash fiction, stunning poetry and brave, insightful creative non-fiction, we had more than 1,200 hits the first day we published! A new feat!!! Thanks to our BG editors Meg Tuite, Jessica Mehta, Samuel Fox, David O’Connor, Jonathan Cardew, Davon Loeb, Corey Holzman, Adam Robinson, and KJ. And also thanks to our writers, and those of you who tweeted, added your own or your favorite stories to FB, IG, Tumblr, LinkedIn, and more.

Also, this week, the stories in Best Small Fictions 2019 were announced. And my piece, “Six Glimpses of the Uncouth” was included with many stellar authors like Lydia Davis, Amelia Gray, Michael Martone, Kim Chinquee, Ann Beattie and SO many more. I’m truly honored to be included, my second time (I also had a piece selected in the 2016 BSF). I wanted to mention that the particular piece which was selected truly had some serious legs. Originally it appeared in Bud Smith’s anthology, Uno Kudo. He ran this project (2012-2015) with many friends including Aaron Dietz, Erin Parker, Erin McParland, and Chuck Howe (RIP). Then, it was picked up by Metazen, an online journal which mined GOLD in its heyday. Then it was selected to appear in my third book, Addicts & Basements. And finally, last November, it was published at Hobart Journal, with four of my other short fiction pieces. The theme here is never give up on your work!

And then, Nancy Stohlman, dear friend and terrific writer, interviewed me about my latest book, FUNHOUSE, in her series, So You Wrote A Book. She asked some terrific questions and I so appreciate her verve and support of fellow writers.

We still have some openings at Bending Genres for online workshops May 24- 26 with Kaj Tanaka; and June 14- 16 with Sabrina Orah Mark. 

Also, consider joining us in Taos, New Mexico for our second week long writing retreat at   Mabel Dodge Luhan House! July 21-27. Incredible vistas, inspiring daily writing talks, roundtables to receive and give feedback, gourmet food. Want to change your writing life? Talk about a busy week… and it snowed all day yesterday. What the latest with you?  ]]>

New Publications

“Three Tide Pools,” and is published at New Flash Fiction Review, a terrific literary zine based in England. Thanks editor, Steven John, for this opportunity! The other piece, “Sirens,” was published at Eunoia Review, and I want to thank editor Ian Chung. He runs a very tight magazine, also online, and is very supportive of writers. Also I recently attended AWP19 in Portland. It blew my mind!!! My favorite city thus far (and this was my 10th AWP), and as always, a terrific way to experience a location, while catching up with so many of my writing tribe. I also had the opportunity to meet some of my writing idols, like Alina Stefanescu, among so many others. Bending Genres is now full for our Sara Lippmann “Mine What Matters” weekend workshop. Please consider joining us for Kaj Tanaka’s “Opening Up & Shutting Down- The Art of Beginning and Ending.” And Sabrina Orah Mark’s “Writing & Failure: On Disappointments, Shame, Failure and Getting Lost.” Also this Tuesday, Our March/ April Bending Genres issue will be live! Stay tuned for some great hybrid content!!! And Meg Tuite and I have some space available for our second summer writing retreat, July 21-27, at Mabel Dodge Luhan House in Taos, New Mexico: http://retreat.bendinggenres.com. And last, but certainly not least, Milwaukee lost one of our veteran, devoted, and passionate writers, editors and citizens this week. Philip Martin was a friend, a mentor, and a sweet, kind, generous soul. He also designed this website for my last update. I will miss him very much. I’m reading T. Kira Madden‘s Long Live the Tribe of Fatherless Girls, on the heels of finishing a life-altering book, Edinburgh, by Alexander Chee. What are you reading? How was your AWP or how did you experience it online if not in-person?]]>

Writing News

New Micros: Exceptionally Short Fiction, was published by W.W. Norton. This was expertly edited by Robert Scotellaro and James Thomas, and I was fortunate to have two of my pieces included, both formerly published in RIFT, my co-authored collection with Kathy Fish. Writer and Editor Tommy Dean is now conducting interviews about the craft, the construction, and ideas behind the pieces chosen for New Micros. I was so happy when he asked me to participate in his project, and our exchange was published at New Flash Fiction Review. Thanks, to everyone, for believing in my writing, both in the publishing realm, and in these kind editors like Tommy, who endlessly support writers and writing. Also, thanks to NFFR, who have a terrific team and publish innovative writing. Check out their journal and submit your best! In three short days, I head to Portland and AWP commences. I hope to see so many of you, my writing tribe. I’m both excited and terrified. And I have new Bending Genres postcards, thanks to Adam Robinson and his talents, so be forewarned. And last, here is a goofy office photo of me in rad shades. Future’s so bright?!! Happy Spring:  ]]>

This Writing Life

Hobart Journal last November. Bud Smith was the guest editor and he accepted 5 flash fictions, mostly all from journals that have gone out of publication. You can read them all here: http://www.hobartpulp.com/web_features/five-stories. I can’t share the “exciting news” part quite yet. Just know I am over-the-moon!!! Today was the beginning of Jonathan Cardew’s Ugly Real Beautiful: Let Your Characters Tell the Story. It’s our third Bending Genres weekend workshop of 2019, and all three (Meg Tuite in January; Alina Stefanescu in February) have been full so far. We only take 20 writers max, and our next opportunity, Sara Lippmann’s Mine What Matters, is more than half full already. So, don’t wait!!! More here: https://bendinggenres.com/monthly-workshops/. Today I also booked flights for Synergia Ranch, our first Bending Genres retreat on May 10-16. I am so excited for this! Also, we still have some openings for our second Bending Genres retreat at Mabel Dodge Luhan House in Taos, N.M. on July 21-27. Come write your heart out in the desert, eat gourmet food, laugh and dream with like-minded writers: http://retreat.bendinggenres.com And, I hope to see you in Portland at https://www.awpwriter.org, March 27- 31? I’ll be floating around the book fair needing a haircut, hiding in back booths at late- night readings, toasting friends like Bill Soldan, Karen Stefano, Len Kuntz, Jayne Martin and a plethora of other talents who have new books, or books being birthed soon. Please let me know if you have any signings or engagements. Happy writing! What are you reading lately?]]>

February 2019

Also, the innovative and wonderful Alina Stefanescu taught our most recent Bending Genres online weekend workshop, February 15- 17, “Subverting the Line Break.” We hosted 20 writers, and over 70 different pieces were created, workshopped, and given salient feedback. Most of these fit our BG model perfectly, some more prose than poetry, or vice versa. Many fit into those hybrid margins we so love.

We have more workshops forthcoming, including Jonathan Cardew in March, and Sara Lippmann in April. For more information on our upcoming monthly workshops, you can visit our website here: https://bendinggenres.com/monthly-workshops/

And, today at our Bending Genres blog, a new review of Kathy Fish’s Wild Life: https://bendinggenres.com/2019/02/18/some-field-notes-on-wild-life-collected-works-from-2003-2018-by-kathy-fish-in-randomized-order-published-by-matter-press/

Then last, but not least, we have filled our Bending Genres Synergia Ranch writing retreat, May 10-16, outside of Santa Fe!!! But we still have openings for our Mabel Dodge Luhan House retreat, in Taos, New Mexico on July 21-27. Here are some images from our two former workshops held at MDLH: There is more information about our BG retreats here: http://retreat.bendinggenres.com .  ]]>

Spring Has Sprung

Bending Genres issue two a few days ago: www.bendinggenres.com. We’ve had so many nice compliments but truly without our writers, we would not have anything to showcase. Also thanks editors Meg Tuite, David O’Connor, Samuel Fox, Jessica Mehta, and Jonathan Cardew. Thanks Adam Robinson for your IT wizardry, and KJ for your uploading and editorial skills. We are currently open for submissions, so send us your weird and best! Jonathan Cardew also taught our second Bending Genres online weekend workshop, “Flash: Wondrous & Weird.” It was well- attended and participants wrote some incredibly unusual (for them) pieces! We currently have two spots left for our May 18-20 weekend workshop; “Deep Leap/ Deep Sleep” and I will be teaching this! More information here: https://bendinggenres.com/online-workshops/. Also, Meg Tuite and I are preparing daily for our upcoming Bending Genres Synergia Ranch retreat!!! The new header image I selected is from New Mexico, and I’ll add more photos at the end of this post from September 2017, when we had our first experience at the Ranch. It’s phenomenal, spiritual, strange, clear, a gift to honor your own hard work if that appeals to you. We like writers of all levels, and varieties. In fact, we asked writer Lynn Mundell six questions about her experience at Synergia Ranch last September: https://bendinggenres.com/2018/04/08/bending-genres-q-a-with-author-lynn-mundell/ The upcoming dates are April 27- May 3, 2018. We currently have 12 registered writers and can take a few more. Here is our website to look further: http://retreat.bendinggenres.com. ]]>

Bending Genres Journal

Bending Genres started as the name that Meg Tuite and I gave to our week long writing retreats. We still plan to use this name for our two Bending Genres retreats in 2018: April 27- May 3: Synergia Ranch, outside of Santa Fe, New Mexico: http://retreat.bendinggenres.com: July 22-28: Mabel Dodge Luhan House, Taos, New Mexico:   Last Friday afternoon, we launched the first issue of Bending Genres Journal: www.bendinggenres.com: We have 31 incredible pieces, a winning combination of short fiction, prose poems, and creative non-fiction. Many are superb examples of hybrid, or cross-genre work. Our entire journal staff are so proud! Also huge thanks to Meg Tuite, David O’Connor, Samuel Fox, Jessica Mehta, and Jonathan Cardew. Also Adam Robinson for his genius design and input, and KJ for his IT finesse. We had an astounding number of hits over the weekend- close to 2,000!!! The third facet of the new Bending Genres empire is our all-new weekend workshops! We launched in January with Meg Tuite teaching Flash Fiction: Close to the Edge on January 19-21. We had a great turn-out, 21 writers registered, and amazing writing throughout the entire weekend, combined with great facilitating by Meg and participants. Our next adventure is March 23-25, with Jonathan Cardew teaching Flash: Wondrous & Weird.  More information, including how you can register (we are already half full) here: https://bendinggenres.com/online-workshops/. And so, send us your submissions! Register for a course! Attend a retreat! We’d love to have you join our Bending Genres family, as we continue to watch it grow. And grow.        ]]>

Omega Institute: Nick Flynn

You Don’t Have to Say You Love Me, his new memoir about his mother. Plenty of bewilderment! The workshop was held in the Creekside cottage, which was a tight space for 25 writers! After selecting a word from the white board (I chose “to Lose”) we were given a postcard image. We meditated for seven minutes (a welcome recurring theme before our writing prompts) and then wrote “descriptive writing”- trying to stick with details. We repeated this exercise with slight suggested revisions, so that eventually we had written four or five different prompts. We also read Larry Levis’s lyric poem, “Sensationalism.” My small group was Laura, Kathryn and Carrie. I also partnered with Sean on a couple of exercises. Teacher Nick Flynn, author of several books, including his memoir, Another Bullshit Night in Suck City, which I read during our Omega workshop. (http://www.nickflynn.org) One evening, we saw Aja Monet read from her stellar poetry collection, My Mother Was A Freedom Fighter at the Omega Library. She was amazing. In class we also drew maps of a specific location, and a map of our body (placing both trauma and joys on the body). These were used for prompts. We did a movement exercise with Omega staff and writer JoJo that helped us to identify a place in which we might go deeper into a writing piece. Then we wrote a piece toward a direction on our maps. We also visualized our ‘home direction,’ and figured out a gift to give to our “person,” (used from our original postcards) and wrote a fairy tale prompted piece to a younger self in a deep woods. Stanley Kunitz, a mentor of Nick’s said: “You have to become the person that can write the poem.” (of compassion, of anger, of solace, etc.) On Wednesday, Nick’s friend and music collaborator, Guy Barash visited the Omega campus. We did an afternoon workshop with Guy, directing us with non-musical instruments, graphed and designed on paper. We did a silent meditation just listening to local ambient sounds (heater, planes, crickets, etc.) and “recorded” them, then attempted to translate them to the class (from our papers). Then, in groups, we performed our pieces. Then Guy directed the entire class as an aural orchestra. We dubbed ourselves the Unstable Atomic Pigs! Nick was so kind, he invited us to open for Nick and Guy’s performance in the Lake Theater that evening. Also Jared Handelsman, another collaborator, provided video footage. Their show was beyond inspiring! On Thursday our class occupied the Lake Theater at Omega. This was an entire day devoted to our “working project.” We went through our various collected pages, new writing and brought pieces, and various favorites from the group. We marked the “resonant parts,” and Nick coached us to be generous- not one or two words, mark “whole passages.” From there, we literally cut out those parts, and placed them onto 30 blank sheets of white paper. I sort of figured out that I had three or four threads for my project. And I had organized them all in these groupings. Then Nick came over, listened as I described my chaos, and said, “okay, now you can switch them all up- move them around, etc.” I literally felt nauseous! But so did everyone else. Chaos… opposite of organized. The last morning, Nick fielded a quick question and answer. Because I had to leave early on Friday, I was the first in order for the final reading. I read “Tributaries,” and “When He Left it all to Me.” I was only able to stay for the first four or five other readers. I felt so badly when I slipped out, but I had to catch the train, to the cab, to the plane, to the car ride home. My dear friend David Carter (who incidentally was the first friend I workshopped with at Omega in 1994), came and spent an overnight on Thursday, and transported me to the Rhinecliff train station. Bless his heart. What a week. So grateful to Nick Flynn, teacher extra-ordinaire, my co-writers and creators, to Omega for hosting this amazing workshop. To friends, new and old. And always to my honey, who makes life seem more technicolor than ever.]]>